|
Noda Manabu
Department Undergraduate School , School of Arts and Letters Position Professor |
|
| Language | English |
| Publication Date | 2018 |
| Type | Book Chapter Paper |
| Invitation | Invited paper |
| Title | Immersion as the Inscription of Theatre-Maker's Reading: Complicite, The Encounter |
| Contribution Type | Sole-authored |
| Journal | Contemporary Drama and Performative Space: From Playwriting to Immersive Theatre |
| Journal Type | Another Country |
| Publisher | The Theatre Institute, Bratislava |
| Volume, Issue, Page | pp.74-84 |
| Total page number | 11 |
| Details | In immersive theatre today, immersion can be called for so that the audience can share in the artist's problematic interface with the original text. In such a case, the artist's relationship with the original text -- and the narrative it contains -- will be inscribed in the way the show is made immersive. The paper examines this case in Complicite's The Encounter (premiered 2015 at Edinburgh International Festival, directed and performed by Simon McBurney). Using binaural technology and headsets for the audience, the show is designed to develop inside the mind of each spectator. |
| ISBN | 978-80-8190-035-8 |