ノダ マナブ
Noda Manabu
野田 学 所属 明治大学 文学部 職種 専任教授 |
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言語種別 | 英語 |
発行・発表の年月 | 2018 |
形態種別 | 書籍掲載論文 |
招待論文 | 招待あり |
標題 | Immersion as the Inscription of Theatre-Maker's Reading: Complicite, The Encounter |
執筆形態 | 単著 |
掲載誌名 | Contemporary Drama and Performative Space: From Playwriting to Immersive Theatre |
掲載区分 | 国外 |
出版社・発行元 | The Theatre Institute, Bratislava |
巻・号・頁 | pp.74-84 |
総ページ数 | 11 |
概要 | In immersive theatre today, immersion can be called for so that the audience can share in the artist's problematic interface with the original text. In such a case, the artist's relationship with the original text -- and the narrative it contains -- will be inscribed in the way the show is made immersive. The paper examines this case in Complicite's The Encounter (premiered 2015 at Edinburgh International Festival, directed and performed by Simon McBurney). Using binaural technology and headsets for the audience, the show is designed to develop inside the mind of each spectator. |
ISBN | 978-80-8190-035-8 |