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Noda Manabu
Department Undergraduate School , School of Arts and Letters Position Professor |
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| Language | English |
| Publication Date | 2010/03 |
| Type | Bulletin of Universities and Institutes |
| Peer Review | Peer reviewed |
| Title | Voice Made Visible: The Place for Voice on Stage in Noh and Robert Lepage's Lipsynch |
| Contribution Type | Sole-authored |
| Journal | Bungei Kenkyu (bulletin of the Dept of Literature, School of Arts and Letters, Meiji University) |
| Volume, Issue, Page | (111),pp.194-206 |
| Details | Robert Lepage's Lipsynch is an attempt at reinstating the presence of elusive voices--voices of the dead, the distant, aphasiacs, and from within--visualizing them with full uncanniness, or "unhomeliness" (das Unheimliche). The essay discusses the place of voice on stage in noh and Lipsynch, and how the audience is allowed to share in its unhomely physicality. |
| ISSN | 0389-5882 |