Faculty Database - Hagiwara Ken

■ Books and Papers

1.	2024/03	Article	Actuality and Universality of Reinhard Goering's Seeschlacht (Sea Battle, 1917): An Anti-War Drama Created During a War, Staged in Germany and Japan Memoirs of the Institute of Cultural Sciences, Meiji University pp.319-341 (Single)
2.	2020/06	Book	Theater and Music (Collaboration)
3.	2019/03	Book	The Routledge Companion to Theatre and Politics (Collaboration)
4.	2018/04	Article	[Research Note] Overflowing Local Bodies in Global Age - (Re)presentations of Japanese Bodies in Different Theatrical Forms Inside and Outside Japan During the Period of (Post-)Globalization - Comparative Theater Review 17(1),pp.35-53 (Collaboration)
5.	2016/07	Book	The gap between the <insider view> and <outsider view> on Fukushima as seen in the change of Festival/Tokyo's lineup Performance Studies international Fluid States 2015 Tohoku, Japan Beyond Contamination: Corporeality, Spirituality, and Pilgrimage in Northern Japan Select conference proceedings pp.66-75 (Single)
6.	2012/03	Article	The City as Stage, the Audience as Performer: "Tour-Performances" by the performance group Port B in Tokyo Comparative Theater Review 11(1),pp.69-80 (Single)
7.	2010/03	Article	Uta Schorlemmer: Zuhause auf der Buehne. Tadeusz Kantors inszenierte Biographie. pp.31-46
8.	2010	Book	Leclercq/Rossion/Jones (ed.): Capturing the Essence of Performance. 27th SIBMAS Congress, Glasgow 2008. pp."Hagiwara/Ueda: Possibilities of Collaboration between a Theatre Museum and an Institution for Theatre Research," 125-136 (Collaboration)
9.	2007	Book	Dembski, Ulrike, Mühlegger-Henhapel (ed.): Performing Arts Collenctions on the Offensive. 26th SIBMAS Congress, Vienna 2006. pp."Hagiwara/Yagi: An Introduction to the Tsubouchi Memorial Theater Museum at Waseda University" 113-117 (Collaboration)
10.	2006	Article	Neugier und Verwirrung. Japanisches Theaterpublikum trifft auf deutsches Theater. Theater der Zeit "Insert" (Single)
11.	2000	Article	Erwin Piscators Theaterbauprojekt vom "Totaltheater" und Inszenierung von Hoppla, wir leben! In: Evokationen. Gedaechtnis und Theatralitaet als kulturelle Praktiken. Beitraege der Tateshina-Symposien 1998 und 1999. herausgegeben von der Japanischen Gesellschaft fur Germanistik. Munchen (iudicium) (Single)
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■ Conference Presentations

1.	2024/08/31	Esperanto in Japanese Theatre: A Means of Bringing "Peripheral Japan" into the Light (Esperanto in Asia Conference)
2.	2024/08/22	How to design performative activities as a theater researcher (and practitioner sometimes) (The 22nd International Conference for Media in Education)
3.	2024/07/19	What We Can (not) Learn by Staging a Tragedy in Translation: In Case of Reinhard Goering’s Sea Battle (1917) Staged by Tsukiji Little Theater in 1924 as the Japanese First Performance (International Federation for Theater Research (IFTR) Conference Manila 2024)
4.	2023/08/18	Reconsidering the context of Tsukiji Little Theater in the interwar and postwar periods (EAJS2023, the 17th International Conference of the European Association for Japanese Studies (EAJS))
5.	2021/08/26	Transposition of Life: On Absence of Real Live Performers in "Non-Human Theater" for Depicting Dead/Dying People (16th International Conference of the European Association for Japanese Studies)
6.	2021/07/13	Celebrated “Hittorā” - Nazi Salute Onstage in the Postwar Japan (IFTR 2021 Theatre Ecologies: Environment, Sustainability and Politics)
7.	2019/07/27	Tanino Kuro’s Works Reflecting Social Issues in Contemporary Japan (Contemporary Japanese Theatre Workshop)
8.	2019/07/08	Displaced Tokyoites in Shanghai and Tokyo: Topography of the Bodies (Re)Presented in Shanghai 'Vance King (1979) (IFTR 2019 Theater, Performance and Urbanism (8-12 July, 2019))
9.	2018/11/06	Japanese Bodies in the Age of (Post-)Globalization (5th Baku International Theatre Conference)
10.	2018/07/10	Hara Sachiko's Body in Her Recent Works in Germany Regarding Migration (International Federation for Theater Research, World Congress Belgrade 2018)
11.	2018/02/23	A Displaced Japanese Body in Continuous Transition: On the Works of the Actress Sachiko Hara in Germany (International Federation for Theatre Research, Manila Conference 2018)
12.	2017/06/09	Overflowing of "Japanese Bodies" in Recent Straight Plays in German-Speaking Countries (Performance Studies international (PSi) #23 OverFlow)
13.	2017/02/18	Japan in Rimini Protokoll's Dramaturgy and the Tasks of Their "Translator" (Asian Dramaturgs' Network Meeting 2017)
14.	2016/07/07	The Production 100% Tokyo and the Socio-Political Atmosphere in the Japanese Capital (Performance Studies international (PSi) #22 Performance Climates)
15.	2015/08/30	The gap between the "insider view" and "outsider view" on Fukushima as seen in the change of Festival/Tokyo's lineup (Performance Studies International (PSi) 2015: Beyond Contamination, Japan, Tohoku)
16.	2014/06/14	Reception, Collaboration and Coordination: Senda Koreya's Practice of the Proletarian Theatre in Germany and Japan around 1930 (2014 Annual Conference of Japanese Society for Theater Research)
17.	2011/08/09	The City as Stage, The Audience as Performer. "Tour-Performances" by the performance group Port B in Tokyo. (FIRT/IFTR International Federation for Theatre Research, Annual Conference Osaka 2011, JAPAN)
18.	2010/12/11	The City as Stage, The Audience as Performer. “Tour-Performances” by the performance group Port B in Tokyo (日本演劇学会分科会　西洋比較演劇研究会　2010年12月例会)
19.	2008/08/26	Possibilities of collaboration between a Theatre Museum and an Institution for Theatre Research: On the International Institute for Education and Research in Theatre and Film Arts at the Theatre Museum of Waseda University (27th SIBMAS Congress, Glasgow 2008 ("Capturing the Essence of Performance: The Challenging of Intangible Heritage"))
20.	2006/08	An Introduction to the Tsubouchi Memorial Theater Museum at Waseda University (26th SIBMAS Congress, Vienna 2006 ("Performing Arts Collenctions on the Offensive"))
21.	2003/10/18	Die Erweiterung des Spielraums - höher, breiter, oder tiefer? Zur Entwicklung der Bühnen- und Theaterraumkonzeptionen in Japan und Deutschland im ersten Drittel des 20. Jahrhunders (Zweites Internationales Kolloquium der Japanischen Gesellschaft für Germanistrik ("Konzepte der Landschaft in Ost und West"))
22.	1999/03	Erwin Piscators Theaterbauprojekt vom „Totaltheater" und Inszenierung von Hoppla, wir leben!
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■ Academic Qualifications

1.		Graduate School, Division of Letters, Waseda University, Ph.D.
2.	～2005/03	〔Doctorial Course〕, Graduate School, Division of General Culture, The University of Tokyo, Accomplished credits for doctoral program,
3.	1996/04～1998/03	〔Master Course〕, Graduate School, Division of General Culture, The University of Tokyo, Completed,
4.	～1996/03	Faculty of Literature, Keio University, Graduated,

■ Career History

1.

2005/04～2008/03

Waseda University The Tsubouchi Memorial Theatre Museum Research Associate

■ Teaching Activities

● Other Special Instructions related to Educational Experiences
1.	2017/04/01～2020/03/31	Doctoral supervisor

■ Academic Associations Membership

1.	2021/08～	European Association for Japanese Studies
2.	2017～	International Federation for Theatre Research
3.	2015～	Performance Studies international (PSi)
4.	2005～	Japanese Society for Theatre Research
5.	2020/04～	∟ executive board member

■ Research Topics, Consignment Studies & KAKENHI Researches

1.

2008/04～2010/03

The development of German theatre outside of Germany during World War II – the example of Erwin Piscator’s work in his American exile (Key Word : )

■ Committees and Associations

1.	2020/04/01～	Japanese Society for Theatre Research Excecutive board member
2.	2006～2008	Committee at SIBMAS Member of the Executive Council

■ Current Specialized Field

Aesthetics and art studies