■ Books and Papers
1.
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2004/03
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Article
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Diderot's Paradoxe sur le comedien : Motion in the Body / the Body in Motion The Journal of Humanities (Meiji University) 10,pp.65-102 (Single)
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2.
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2022/05
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Article
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Distant Past,Distant Future,and Covid Proximity -From Japanese Theatre Scene before and after the Corona Breakout 文芸研究 147,pp.15-30 (Single)
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3.
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2021/09
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Article
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Seen from Close-up in the Distance: Shibuya as a bubble downtown Okada Toshiki & Japanese Theatre, ed. by Peter Eckersall, et al. pp.87-95 (Single)
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4.
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2021/04
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Article
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Invitation for Oblivion, and Recalling the Act of Forgetting: Japanese Theatre under the Pandemic Theatre Arts pp.133-141 (Single)
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5.
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2018
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Article
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Immersion as the Inscription of Theatre-Maker's Reading: Complicite, The Encounter Contemporary Drama and Performative Space: From Playwriting to Immersive Theatre pp.74-84 (Single)
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6.
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2017/05
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Article
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Retrospective Gaze Called into Question: Mauricio Kartun's Terrenal (Argentina) and Akihito Nakatsuru's The Undecided People (Japan) Performing Explorations (Exploraciones Escenicas) pp.14-16 (Single)
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7.
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2016/04
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Article
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The 400th Anniversary of Shakespeare's Death pp.41-41 (Single)
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8.
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2016/04
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Article
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Voice as a Trace of Oblivion Theatre Arts pp.90-104 (Single)
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9.
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2016/03
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Article
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The Crisis of Oblivion and the Use of Narrative: Hideki Noda and the Post-3/11 Trace pp.245-257 (Single)
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10.
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2016/03
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Article
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Theatrical Thinking: William Hazlitt's Reviews of Edmund Kean and his Idea of Open Self pp.109-130 (Single)
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11.
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2014/10
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Article
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"Aren't you even dead yet?" -- Theatre Criticism and Cultural Ownership 10 (Single)
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12.
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2014/10
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Other
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"Theatre forms the core around which dialogue develops" -- Interview with Oriza Hirata Critical Stages 10 (Collaboration)
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13.
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2013
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Article
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Mirrored Image and the Dislocation of Culture in Ninagawa's Shakespeare Szekspiromania. Księga dedykowana pamięci Andrzeja Żurowskiego, pod redakcja Anny Cetery pp.213-230 (Single)
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14.
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2012/12
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Article
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The Fabric of Traditional Theatre: Archived Memories and the Question of Cultural Ownership Critical Stages 7 (Single)
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15.
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2012/06
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Article
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Editorial Comment:Theatre and Disaster Critical Stages (The IATC Webjournal) (6) (Single)
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16.
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2012/06
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Article
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Trying to Give Shape to an Unending End: Post-3/11 Theatre in Tokyo Critical Stages (The IATC Webjournal) (6) (Single)
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17.
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2011/03
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Book
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From Articulation to Synthesis: Stage Passions from the Eighteenth to Early Nineteenth Centuries in England Aufführungsdiskurse im 18. Jahrhundert: Bühnenästhetik, Theaterkritik und Öffentlichkeit, ed. by Yoshio Tomishige / Soichiro Itoda pp.116-136 (Single)
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18.
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2011
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Article
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As a Manner of Speaking: Agentless Absurdity in Modern Japanese Theatre European and Universal Dimensions of the Theatre of the Absurd (Octavian Saiu, Ed.) pp.57-78 (Single)
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19.
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2010/03
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Article
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Voice Made Visible: The Place for Voice on Stage in Noh and Robert Lepage's Lipsynch Bungei Kenkyu (bulletin of the Dept of Literature, School of Arts and Letters, Meiji University) (111),pp.194-206 (Single)
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20.
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2009/11
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Article
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A Brief History of Theatre Commentaries in Japan : Its Beginning and Its Modernization Critical Stages/Scènes Critiques (1) (Single)
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21.
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2009/06
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Article
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A politica da vilencia cenica no Japao (trans. by Paolo Eduardo Carvalho) Sinais de cena pp.47-52 (Single)
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22.
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2009/03
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Article
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The Politics of Stage Violence in Japan Today Theatre and Humanism in a World of Violence, ed. by Ian Herbert and Kalina Stefanova pp.195-203 (Single)
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23.
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2008/12
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Article
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O corpo em ruptura como espaco de diferencas (trans. by Paul Eduardo Cavalho) Sinais de cena pp.25-27 (Single)
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24.
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2007/08
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Article
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The Body Ill at Ease in Post-War Japanese Theatre New Theatre Quarterly (91) 23(3),pp.272-282 (Single)
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25.
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2006/12
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Article
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La Incomodidad del cuerpo en el teatro japones (trad: Marcela Solie) Teatro al Sur (Argentina) pp.43-48 (Single)
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26.
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2001
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Article
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Hideki Noda of NODA MAP : TABOO as a Breakaway from Melodrama in the Form of Death/Action pp.164-169 (Single)
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27.
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1998
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Book
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The Primacy of the Sense of the Body over the Sense of the Line: David Garrick's Acting of Shakespeare Japanese Studies in Shakespeare and his Contemporaries, ed. by Yoshiko Kawachi pp.180-196 (Single)
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28.
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1997/01
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Article
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Some Measures to Support British Actors under Hardship The Rising Generation 142(10),pp.543-543 (Single)
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29.
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1997
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Article
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The Solitude of Villains in the Gothic Drama Kyoto English Review pp.4-23 (Single)
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30.
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1996/07
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Article
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Dramatica: a support software for screenplay writing The Rising Generation 142(4),pp.29-29 (Single)
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31.
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1996/04
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Article
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Political Collectiveness and Revision The Rising Generation 142(1),pp.23-23 (Single)
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32.
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1995
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Article
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The Legibility of Passions and the Unity of Appearance : The Representability of Acting from Neoclassicism to Romanticism Studies in English Literature 72(1),pp.13-26 (Single)
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33.
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1994
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Article
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Theatrical Presence and the Discourse of Videocentrism from Addison to Lamb Studies in English Literature ( 70(2),pp.207-221 (Single)
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34.
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1992
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Article
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The Wall Disappeared and the Endless Game : The Structure of Displacement In Harold Pinter's Homecoming (Single)
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Display 5 items
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Display all(34)
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■ Conference Presentations
1. |
2020/06/12 |
Cognitive Declension and Online Theatre under Covid 19 (Theatre, humanity, and hope the dialogue with the other, from the real to the virtual and back (Sibiu Festival Online Conference))
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2. |
2019/06/13 |
Theatrical Imagination on the Imperial Theme in Japan 2019 (Theatre, Community and Peace in a World of Violence (International Platform of Doctoral Research in the Fields of Performing Arts and Cultural Management))
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3. |
2018/11/14 |
Feigning Ignorance as a Way of Tolerating the Intolerable: Stage Scene in Japan 2017 (IATC Conference: "Performing arts: freedom and (in)tolerance")
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4. |
2018/04/28 |
War Memory and Recent Shakespeare Performances in Japan (Craiova Shakespeare Studies Conference: "Shakespeare: War and Theatre")
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5. |
2017/12/12 |
My Experience with Scènes critiques/Critical Stages (Meeting: Scènes critiques/Critical Stages)
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6. |
2017/10/09 |
Nationalising the International, or Internationalizing the National? -- International Theatre Festivals in Critics' Eyes (International Theatre Festivals in Critics' Eyes)
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7. |
2017/06/08 |
Theory, History, or Practice? -- An Overview of Doctoral Theatre Studies and Education in Japan (International Platform of Doctoral Research in the Fields of Performing Arts and Cultural Management)
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8. |
2017/05/11 |
Immersion as the Inscription of Theatre-Maker's Reading: Complicite, The Encounter (2015) (IATC/AICT Conference (as a part of NOVÁ DRÁMA/NEW DRAMA 2017, Bratislava) "Contemporary Drama and Performative Space: From Playwriting to Immersive Theatre," 11-12 May 2017)
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9. |
2016/11/05 |
Witness Action: Beyond the Contradiction in Terms (Witness / Action)
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10. |
2016/09/28 |
The 70th Anniversary of WW2: What is Forgotten, and How? (Newness and Global Theatre: Between Commodification and Artistic Necessity)
|
11. |
2016/08/06 |
The Ice-Age Generation and the Post-boom Downtown: Shibuya in Toshiki Okada's Five Days in March (2004) (Art and Society in Contemporary Japan: The Theatre of Okada Toshiki)
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12. |
2016/06/09 |
Beckettian Voice from Nowhere in Miwa Yanagi's Zero Hour: Tokyo Rose's Last Tape (The Theatre of the Absurd and the Absurd of History)
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13. |
2016/04/22 |
Yukio Ninagawa's Richard II and "universality" as an intercultural phenomenon (Shakespeare in Contemporary Performance: Local, Global, Universal)
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14. |
2015/09/30 |
Retrospective Gaze Called into Question: Mauricio Kartun's Terrenal (Argentina) and Akihito Nakatsuru's The Undecided People (Japan) (Exploraciones escénicas/Performing Explorations)
|
15. |
2014/11/08 |
Transversal Voice in Robert Lepage's Lipsynch (Symposium: Transversal Poetics from Shakespeare Theater to Contemporary Performing Arts and Film)
|
16. |
2014/10/12 |
The Performance of the Translingual as Allegorical Traces of Interpretive Intervention: Henry V and Shun-kin (2008) (Seminar: Shakespearean Performance Worldwide: From Multilingual to Translingual Performance, 53rd Shakespeare Society of Japan Congress)
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17. |
2013/11/01 |
"Aren't you even dead yet?" -- Theatre Criticism and Cultural Ownership (Theatre Critics/Criticism -- Disappearance or Transformation?)
|
18. |
2012/09/23 |
The Fabric of Traditional Theatre: Archived Memories and the Question of Cultural Ownership (Traditional Theatre: Inheritance and Innovation, The Third Asian Forum, September 21-23, 2012)
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19. |
2012/04/29 |
Shakespeare's Romance Plays and the 3/11 Earthquake in Japan (Seminar on Shakespeare: Great Shakespearean Adventures on Romanian and Foreign Stages, 28-29 April 2012, Craiova, Romania)
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20. |
2012/03/29 |
Is the 3/11 Disaster Beyond Theatre?: Post-3/11 Theatre in Japan (IATC Congress, "Theatre beyond the Theatre," 29 March 2012, Warsaw, Poland)
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21. |
2011/08/11 |
Dramatic Intersubjectivity Called into Question: Oriza Hirata's Robot-/Android-Human Plays (IFTR Annual Conference Osaka 2011, Japan: "Tradition, Innovation, Community" (Osaka University))
|
22. |
2010/11/24 |
Round-up discussion: Overview of the symposium (IATC International Symposium on Asia "International Collaboration and the Role of Criticism" (Tokyo, November 21-24, 2010))
|
23. |
2010/07/29 |
The Ambivalent Modernity of Hijikata and Ninagawa in Japan of the 60s (IFTR 2010 World Congress: "Cultures of Modernity" (Munich, 25-31 July 2010))
|
24. |
2010/04/24 |
The Question of Cultural Authenticity: Japanese Theatrical Traditions and Shakespeare Performances (Shakespeare Theatre Studies: Great Hamlet Performances (April 24-25, 2010))
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25. |
2010/03/26 |
Hazlitt's Criticism of 18th-century Neoclassical Acting Theories (International Colloquium: Documents for Theatre History (26/3/2010))
|
26. |
2010/02/27 |
Seen from a Distance: Shibuya, Tokyo, as a Bubble Downtown (Creating Cities: Culture, Space and Sustainability (February 25-28, 2010))
|
27. |
2009/07/15 |
Voice Made Visible: The Place for Voice on Stage in Robert Lepage's Lipsynch (2008) (IFTR (International Federation for Theatre Research) Congress, "Silent Voices, Forbidden Lives: Censorship and Performance" (University of Lisbon, July 12-18, 2009).)
|
28. |
2008/10/08 |
A Brief History of Theatre Commentaries in Japan: Its Beginning and Its Modernization (International colloquium: "Theatrical Commentary: Tracing the Traditions" (Toronto, 6-9 October 2008))
|
29. |
2008/07/12 |
Ruptured Body as a Site of Differences (International colloquium: "Performing Bodies and Stage Practices" (Almada, Portugal, 12 July 2008))
|
30. |
2008/05/03 |
Mirror Images and the Dislocation of Culture in Ninagawa's Shakespeare (Shakespeare Today: Seminar on Shakespeare (Craiova City Hall, Craiova, Romania, 3-4 May 2008))
|
31. |
2008/04/16 |
The Politics of Stage Violence in Japan Today (The 24th Congress of the International Association of Theatre Criticism: "Theatre and Humanism in a World of Violence" (Sofia, Bulgaria, 15-18 April 2008))
|
32. |
2006/10/29 |
Drama in Japan: Local Development and Western Influence (International Symposium on Arts Criticism 2006 (October 27-30))
|
33. |
2006/10/24 |
The Body Ill at Ease in Japanese Theatre (IATC Conference on Art Criticism, IATC Extraordinary Congress in Celebration of the 50th Anniversary)
|
34. |
2001/10/14 |
Seminar: Reading and Watching The Comedy of Errors
|
35. |
1996/10/26 |
The Representation of Pain in Titus Andronicus (International Panel Discussion: The Representation of Pain in Titus Andronicus)
|
36. |
1995/12/02 |
The Governability of Discourses in Shakespeare Performances (discussant intervention) (Multiculturalism South: International Symposium)
|
37. |
1992/07/02 |
The Role of the Comic Man in the Nineteenth-Century Melodrama (Melodrama: Stage, Picture, Screen, an Interdisciplinary Conference)
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Display 5 items
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Display all(37)
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■ Academic Qualifications
1. |
Degree Acquisition
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The University of Tokyo,
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2. |
1988/04~1995/03
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〔Doctorial Course〕, The University of Tokyo, Unfinished course,
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3. |
1985/04~1988/03
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〔Master Course〕, Graduate School, Division of Humanities, The University of Tokyo, Completed, MA
|
4. |
1981/04~1985/03
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Faculty of Laws, The University of Tokyo, Graduated, Bachelor in Law
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■ Teaching Activities
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■ Research Topics, Consignment Studies & KAKENHI Researches
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■ Current Specialized Field
Aesthetics and art studies, History of thought, Chinese literature
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